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Using re-appropriated foreign archival footage, a poem takes shape like the waves of a sea, engaging in dialogue with the dead and the living. A...
To All the Shadows of our Tide
One can become involved in a subject to the point of no return. In a found-footage work using images from Amalia, the first Argentine fiction film...
Amalia
An exhibition made by Julio Le Parc at the Di Tella Institute in 1967.
Le Parc: Lo real y lo posible
The second installment in the Border Journals series.
Border Journals: Notes from a failed expedition
Vísperas de la memoria